![]() Some years later, it was very flattering to realize that I had created the prototype for a whole series of science-fiction movies dealing with monstrous creatures from outer space, beginning with Ridley Scott’s Alien.”įrom The Last Drive In contributor Monstergirl: ![]() The food source, as it turns out, is the human race. “I devised a tale in which the queen of the aliens–brought back to earth by a group of American astronauts –is a vampiric creature who seeks a new food source for her dying planet. However, the director wanted to take the story in the opposite direction: According to his memoir Nice Guys Don’t Work in Hollywood, the Soviet version is about “the world’s natural fears of the nature of aliens…and discovering at the end that the alien wants to be friends.” Queen of Blood director Curtis Harrington repurposed footage from Soviet film Mechte Navstrechu. RELATED: Flashback: PLANET OF THE VAMPIRES (1965) Planet of the Vampires is corny and pulpy, but it’s also a must-see for fans of classic cult cinema.”- Spencer, Blood Good Horror Mario Bava’s sets are among the weirdest and coolest ever produced, and critics have spent years dissecting his influence on Scott, Jodorowsky, Argento and Carpenter (in addition to science fiction, Bava pioneered the slasher genre). There is no singular “a-ha” moment that pivots Planet of the Vampires from mediocrity into something special, and part of the pleasure in watching it is identifying your own path of conversion. “ Planet of the Vampires is a great case study for genres in transition: while some of its scenes are as cheesy as a bad children’s TV show, others are surprisingly grim and gorgeous, and clear precursors to future masterpieces like Alien and The Thing. Bava’s stunning Gothic variation weaves a weird tale of flying saucers, ray guns and zombies that looks like no other space movie ever filmed.”- Glenn Erickson, DVD Talk “For Planet of the Vampires Mario Bava turned his visual sense to a new genre, the space opera.
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